
The Golden Age of Comics set has been an education. The 1940s and 50s were full of jungle/cave women/girls, patriotic heroes determined to bring down the Axis Powers, and radioactive characters born in the wake of the new Atomic Age.
Golden Age comics reflected their decades. A cheesy, 4-color, and in some cases poorly drawn reflection, but a reflection nonetheless.
For example, South Sea Girl, pictured above, whose audience I can only assume was the entire Pacific Theater. Who was this girl? She’s obviously of European descent, what is she doing down there? Doesn’t she know the Japanese are trying to kill us with grenades and battleships?
Well, if nothing else she knows how to dress for mayhem.
Brian, April 12th 2010 |
Posted in Professional Work, sketch cards
Here’s the last batch of cards for a bit. My favorite one of this batch is Reed Richards at the controls with Doom on the screen. (though I like how the Sentinel turned out too.)


Brian, April 9th 2010 |
Tags: Marvel, sketch cards
Posted in Professional Work, sketch cards
This pretty much sums up my Softball experience. (click for a larger view)

Brian, April 7th 2010 |
Tags: good hustle, web comics
Posted in webcomics
I can finally show some of the cards I did for Rittenhouse’s Marvel 70th Anniversary set. I tried to push myself a little more this time.


Brian, April 7th 2010 |
Tags: Marvel, rittenhouse
Posted in Professional Work, sketch cards
When I started out working with markers, I stuck with the same 3 or 4 colors for skin tones.
These days I’m using anywhere from 8 to 12 or so. Blending and blending…and blending. On this particular set I began using color a little differently than I have in the past, though I’m not sure if anyone else other than me can tell. (A lot more browns this time around for one.)
This is one of the biggest benefits I have seen in my art since working on sketch cards. My sense of color has evolved quite a bit. One day I’d like to do a post where I pull out some old cards I did a few years ago and trace the progression.
We’ll see if I’m brave enough to actually post them.
I also experimented with watercolors on one card. See if you can guess which one it is. (Hint: It has a dinosaur in it.)
Brian, April 7th 2010 |
Tags: dinosaurs, sketch cards
Posted in Professional Work, sketch cards
I have found that doing sketch cards is a great way to work on issues like anatomy, layout, and color.
Working in a space that’s 2.5 x 3.5 inches takes a little getting used to. For me, even though I’ve done 1000+ cards at this point, I keep trying to find ways to economize and make each card more interesting.
The limitations of space and size will either put you in a rut, or push you to try and do more with what you have. (And its easy to get into a rut with deadlines looming, I know.) Keeping on a schedule has helped me to better cards, in my opinion.
Here are 9 cards from Sadlittles Damsels and Dinosaurs set.
I loved dinosaurs growing up. In fact, until this set, I had forgotten how much I still like them.
Brian, April 6th 2010 |
Tags: dinosaurs, sketch cards
Posted in Professional Work, sketch cards
Brian, April 5th 2010 |
Posted in sketch cards
I was digging through some old files today and came across this Baroness. What’s unique about it, as with a few other drawings of mine that I’ve seen pop up on the internet lately, is that…I don’t remember drawing it.
I’m realizing that I’ve drawn so much over the last few years that there’s a new category of work in my brain. That is, things I’ve drawn that I either flew through, got done, and moved on from, or things that I’ve subconsciously decided need to be expunged from the cache of conscious retrieval to make room for other things.
Actually, now that I’ve though for a few minutes, I remember this card sitting on the desk at the studio waiting to be shipped. But nope, still no recollection of the drawing process.

Brian, April 4th 2010 |
Posted in Commissions, sketch cards
I don’t think I’ve posted this card yet. The Psyloke from earlier in the week was actually a redo, which I was more than happy to do. It gives me an extra one to sell (this one is going on eBay as of tonight.)
For skin tones I’ve been used Copic colors: Skin white, Pinkish White, Sand White, and Water Lily. I just replaced the brush tips (which was pretty effortless) on several brushes as over the last year they’ve picked up a little bit of black from the inks. Although, it’s pretty rare that even that black would come off into the page.
This afternoon I ventured into watercolors a little more. The results were okay, but I still went in with a pen to touch it up. I’d like to explore a more painted look when I get my time budgeted a little more.
I hope everyone has a wonderful Easter weekend.
Brian, April 3rd 2010 |
Posted in Commissions, sketch cards